Rider is an alumna of the prestigious Manhattan School of Music (MM) under the tutelage of Arthur Levy. Member AGMA/AEA Hailed by critics as a “mellifluous bass-baritone, with theatrical flair” (Opera News), Adrian Rosas is an emerging young artist with “impressive experience and talent” (The Boston Globe). Rider has served as Assistant Director for the Manhattan School of Music’s Musical Theatre Program has taught at the Broadway Dance Center teaches privately and is on the Board of Directors for NYSTA. Originally from just outside Philadelphia, Ms. Rider has worked with Marianne Barrett, Christiana Stancescu, Glenn Morton, Victoria Clark, Leslie Uggams, Lisa Vroman, Ron Raines, Dona Vaughn, and Carolyn Marlow, to name a few. Other roles include Petra in Stephen Sondheim's “ A Little Night Music” with the Michigan Opera Theatre (debut) Adele in Johann Strauss’ “ Die Fledermaus” Valentina Scarcella in John Musto’s New York Premiere of “ Later the Same Evening” Greta Fiorentino in Kurt Weill’s “ Street Scene” Season 11 of " American Idol" on Fox and as a soloist for the Philadelphia Phillies. Rider was most recently seen at The Triad Theater in NYC, where she premiered her one-woman show " Uncharted".
An active performer (soprano) and teacher, Ms. She is honored to be a part of this extraordinary evening. This season, he will perform the roles of Belcore in L’elisir d’amore and Sharpless in Madama Butterfly as a Resident Artist with Dicapo Opera in New York City.
His musical theater roles include Javert in Les Misérables and Chip in On the Town. He has appeared as a soloist in Orff’s Carmina Burana, Mozart’s Requiem, and most recently in Beethoven's The Ruins of Athens with the Astoria Symphony. In competition, he placed second in the Opera Theater of Connecticut Voice Competition, and was a finalist in the Lieder Division of the Liederkranz Vocal Competition. Lindroth’s operatic roles also include Figaro in Il Barbiere di Siviglia, Harlequin in Ariadne auf Naxos, Belcore in L’elisir d’amore, Masetto in Don Giovanni, Marcello in La Bohème, Malatesta in Don Pasquale and Papageno in Die Zauberflöte. Opera News, reviewing baritone Scott Lindroth as Valentin in Faust, described him as “sonorous” and possessing a “pleasant baritone, good phrasing and strong top that made his aria a highlight”. Mr.
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